Tritone Substitution w/Alt Chord Lead-ins 12-11
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered the Tritone Substitution w/Alt Chords Inversions, begin practicing all of the Tritone Substitution w/Alt Chord Lead-ins.[/features_box_yellow]
It’s time now to apply the prior study of II V Lead-in to the Alt Chord. Very simply . . . just play a II V before any Alt Chord.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubAltLIa.pdf” + target=”_self”]Tritone Substitution w/Alt Chord Lead-ins – Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubAltLIb.pdf” + target=”_self”]Tritone Substitution w/Alt Chord Lead-ins – Page 2[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubAltLIc.pdf” + target=”_self”]Tritone Substitution w/Alt Chord Lead-ins – Page 3[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
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- I have practiced all the Tritone Substitution w/Alt Chord with II V Lead-ins in all substitutions and in all keys.
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Tritone Substitution w/Alt Chords Inversions 12-10
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered the Tritone Substitution w/Alt Chords, begin practicing all of the Tritone Substitution w/Alt Chords Inversions.[/features_box_yellow]
Now start learning all the Alt Chords by using the Turnaround with Tritones in all inversions.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTsubWaltInvA.pdf” + target=”_self”]Tritone Substitution w/Alt Chords Inversions – Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubWaltInvB.pdf” + target=”_self”]Tritone Substitution w/Alt Chords Inversions – Page 2[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have practiced all the Tritone Substitution w/Alt Chords Inversions in all substitutions and in all keys.
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Tritone Substitution w/Alt Chords 12-9
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered the Alt Introduction, begin practicing all of the Tritone Substitution w/Alt Chords around the Turnaround with Tritone Subs. Carefully study the similarities and difference between the Tritone Substitution w/Alt Chords.[/features_box_yellow]
Now that we understand the Alt chord . . . we can learn it by using the Turnaround played with all the Tritone Subs. This is a long-term study.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubWaltExA.pdf” + target=”_self”]Tritone Substitution w/Alt Chords[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubWaltExB.pdf” + target=”_self”]Tritone Substitution w/Alt Chords[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have practiced all the Tritone Substitution w/Alt Chords in all substitutions and in all keys.
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TriTone Substitute w/9 13 Inversions 12-6
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered the Tritone Substitution w/9 & 13, begin practicing all of the Tritone Substitution w/9 & 13 Inversions. [/features_box_yellow]
I suggest that you begin by playing all the chords (basic and subs) in all their inversions.
Play the Turnaround using the 9 13, starting in one “inversion” or position. Play all the chords in the “basic” Turnaround (I VI II V) going from chord to chord using the closest position of the chord.
Play the Turnaround using the 9 13, using all the subs. This teaches you ALL the 9 13 chords in ALL inversions.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW913InvA.pdf” + target=”_self”]TriTone Substitute w/9 13 Inversions – Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW913InvB.pdf” + target=”_self”]TriTone Substitute w/9 13 Inversions – Page 2[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have practiced playing all the chords (basic and subs) in all their inversions.
- I have practiced playing the Turnaround using the 9 13, starting in one “inversion” or position playing all the chords in the “basic” Turnaround (I VI II V) going from chord to chord using the closest position of the chord.
- I have practiced all the II V Tritone w/Lead-ins using all the Tritone chords (V7) in all keys. (For example: C to Eb7 would be C, fm7 Bb7, A7.)
- I have practiced playing the Turnaround using the 9 13, using all the subs.
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Tritone Substitution w/II V w/Lead-ins 12-4
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered the Tritone Substitution w/Lead-ins, begin practicing all of the Tritone Substitution w/II V Lead-ins. Carefully study the similarities and difference between the Tritone Subs using the II Vs.[/features_box_yellow]
In the last lesson, I presented the idea that every chord can be preceded by it’s V7 dominant. This time we are taking this one step further. Instead of only using the V7 . . . we are using the IIm V7 Progression before any chord. This can be used as a II V before the basic Turnaround chords (I VI II V). So in the key of C . . . you can place a bm7 to E7 before the A7 (VI chord). Also, you can play a II V to the Tritone of the V chord. That would be Fm7 to Bb7. (Remember: Bb7 is the Tritone Sub of E7)
You can also play II Vs before all the Tritone Subs of the Turnaround.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW25LIa.pdf” + target=”_self”]Tritone Substitution w/II V Lead-ins Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW25LIb.pdf” + target=”_self”]Tritone Substitution w/II V Lead-ins Page 2[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW25LIc.pdf” + target=”_self”]Tritone Substitution w/II V Lead-ins Page 3[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have practiced all the II V Tritone w/Lead-ins using the basic V chord in all keys. (For example: C to A7 would be C, bm7 E7, A7.)
- I have practiced all the II V Tritone w/Lead-ins using the Tritone of the V chord in all keys. (For example: C to A7 would be C, fm7 Bb7, A7.)
- I have practiced all the II V Tritone w/Lead-ins using all the Tritone chords (V7) in all keys. (For example: C to Eb7 would be C, fm7 Bb7, A7.)
- I have practiced all the II V Tritone w/Lead-ins using all the Tritone chords (Tritone of the V7) in all keys. (For example: C to Eb7 would be C, bm7 E7, A7.)
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Tritone Substitution II V Exercise Part 2 12-2
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered Tritone Substitution Exercise, begin practicing the Tritone Substitution II V Exercise starting on the III chord and the bVII chord. Carefully study the similarities and difference between the Tritone Subs using the II Vs.[/features_box_yellow]
Continuing on with the Turnaround Tritone Sub Exercise: Start with the III7 chord. We can do this because it is the V7 of the II chord. For instance in C: C becomes E7. E7 is the V7 of A7 (which is the V7 of D7 – which is the V7 of G7). This is the Cycle of Fourths.
Once you have mastered playing all the Tritone Subs from E7 . . . then substitute a tritone bVII (Bb7) for the E7 and continue the exercise from there. Now you have the complete exercise.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTsubEx1a.pdf” + target=”_self”]Tritone Substitution Exercise – Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTsub1b.pdf” + target=”_self”]Tritone Substitution Exercise – Page 2[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have practiced all the entire Turnaround II V Tritone Substitutions Exercise in all keys.
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Bossa Nova Tritone Turnaround Chart 14-5-8
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered Bossa Nova Turnaround Chart, start studying Bossa Nova Tritone Turnaround Chart.[/features_box_yellow]
Practicing the Tritone Subs:
- Use either the II V I VI or I VI II V charts with the Tritone Subs.
- Choose chords and modes for the II V I VI or the Tritone Subs: bVI bIII Im and bII.
- Bounce around with the chosen chord playing the Bossa Groove with both hands and also with the chords in the left hand.
- Play the modes in Seventh Chords up and down.
- Play your chosen chords modally with a metronome.
- Play the modes in Seventh Chords up and down the scale (mode).
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/ProgLearnTurnHarMelTT1625.pdf” + target=”_self”]Tritone Turnaround Chart I IV II V[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/ProgLearnTurnHarMelTT2516.pdf” + target=”_self”]Tritone Turnaround Chart II V I VI[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/ProgLearning4chEx.pdf” + target=”_self”]Practice learning the Modes for your chosen chords and modes.[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have chosen chords and modes for the II V I VI or the Tritone Subs: bVI bIII Im and bII.
- I can bounce around with the chosen chord playing the Bossa Groove with both hands and also with the chords in the left hand.
- I can play the modes in Seventh Chords up and down.
- I can play my chosen chords modally with a metronome.
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Bossa Nova w/Turnaround Tritone Substitution 14-2-4
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have studied the Bossa Nova w/Turnaround – Continuous Melody, start studying Bossa Nova w/Turnaround TriTone Substitution. [/features_box_yellow]
Steps for learning the BN Turnaround with Tritone Subs:
- Study the Dominant 7th with only a 3 and b7. Notice that when you play a 3 and 7 and move the root a tritone away . . . it reverses the 3 & 7 (to 7 & 3). Now, you have two choices when playing the Turnaround: the “normal” chord . . . or the Tritone Sub.
- Now you can substitute the III chord for the I chord (that sets up a Cycle of Fourths). Explore all the Tritone Subs.
- Now, you can substitute the bVII chord for the III chord. Explore all the Tritone Subs.
- Now play the above with the BN Turnaround Groove while randomly choosing either the “normal” chord or the Tritone Sub.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/BNturnaroundTTExplan.pdf” + target=”_self”]Tritone Substitution Explanation[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/BNturnaroundtri-toneA.pdf” + target=”_self”]Tritone Substitution Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/BNturnaroundtri-toneB.pdf” + target=”_self”]Tritone Substitution Page 2[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have studied the Dominant 7th with only a 3 and b7.
- I have learned all the choices using the “normal” Turnaround and the Turnaround with tritone subs. This includes starting on the III chord and the bVII chord.
- I can easily play the above with the BN Turnaround Groove while randomly choosing either the “normal” chord or the Tritone Sub.
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Tritone Sub Exercises 9 13 (w/ II V Lead-ins) 12-7
[features_box_yellow width=”75%” + border=”2px”]Level: Advanced
After you have mastered the Turnaround Tritone Substitution using the 9 13, begin practicing all of the Tritone Substitution w/II V Lead-ins. Carefully study the similarities and difference between the Tritone Sub Exercises w/9 13 (w/ II V Lead-ins).[/features_box_yellow]
If we are playing a Turnaround using the 9 13 chords, you can also apply all the II V Lead-ins. For instance: if you are moving from C to A7 . . . you can play a 1/2 step above the A7 (you can also play the V7 of the A7, if you want). The 1/2 step above would be Fm9 to Bb9,13. This is the Basic I VI II V Turnaround.
Of course you can apply this to all the subs. For instance: If you are playing from C to Eb7 . . . you can play 1/2 step above the Eb7 (bm7 to E7). Practice all the Turnaround Subs in this way.
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW-25LI913A.pdf” + target=”_self”]TriTone Substitute Exercise 9 13 (w/II V Lead-ins) – Page 1[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW25LI913B.pdf” + target=”_self”]TriTone Substitute Exercise 9 13 (w/II V Lead-ins) – Page 2[/membership_download_item_pdf]
[membership_download_item_pdf link=”http://jsfp.s3.amazonaws.com/TTSubW25LI913C.pdf” + target=”_self”]TriTone Substitute Exercise 9 13 (w/II V Lead-ins) – Page 3[/membership_download_item_pdf]
[features_box_blue width=”75%” + border=”2px”]Personal Evaluation
[green_tick_2_list width=”100%”]
- I have practiced all the Tritone Sub Exercises 9 13 w/II V Lead-ins in all substitutions and in all keys.
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